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Nikon “Z 50” Quick Review Review

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Nikon's first APS-C mirrorless Nikon Z mount machine "Z 50" was announced. The Ochiai photographer was blessed with the opportunity to try out the actual machine prior to the release in late November, but he seemed more eager than the full-size Z7 and Z6 in the series.

There is no “degradation of full size Z” in image quality and shooting performance

To sum up for 2019, it seems a bit too early, but it seems that it is likely to be the one that has had the most personal impact.

“The appearance of Nikon Z 50”.

  • Nikon Z mount's first mirrorless “Z 50” adopting DX format. It is scheduled to be released in late November, and the actual selling price is around 120,000 yen including tax for the single body model, and around 140,000 yen including 16-50 VR lens kit with standard zoom lens included

“Wow, what is this, this is n’t an ant at all!” Was a straightforward first impression. After using it, I was surprised and eventually wanted it furiously. It ’s not like this. The moment before life, darkness [?] Was a good thing.

Nani is good, and there should be no obvious difference in image quality compared to the full-size Z. Even with the APS-C Z 50, the full-size Z 6 and Z 7 are completely similar to the “Z” taste. In other words, there is no “degrade” at that point. I think this is an unexpectedly important element. Because 某 α is quite overtly.

The maximum frame speed is 11 frames / second [when expanded] with AF / AE tracking, ensuring the specifications that line up with the main ball. There is no downside here either. Moreover, the AF's ability to follow moving objects is a better finish than the parent. It can be tasted with this small and light body.

Although it is small and light weight through the crevice such as omitting camera shake correction in the body, the finish balance as an interchangeable lens camera such as a release feeling and EVF appearance that is sufficiently fine and crisp as an intermediate model is extremely Good. Thanks to this, Instagram-like photographers and influencers are far from things, and at best, it is a “useful and fun camera” for uncles who are vaccinated against influenza.

2 Z-mount DX lenses also feel good

"Z DX lenses" and others who are also supposed to build a kit are strongly encouraged to make those impressions. “NIKKOR Z DX 16-50mm f / 3.5-6.3 VR” and “NIKKOR Z DX 50-250mm f / 4.5-6.3 VR” are plastic kits and light “common kit lenses”, but both are surprised. It looks so good that you do it. If you can use the open F number without any problem in the form that is helped by the uniformity of the description, and rely on the super high sensitivity image quality of Z 50, which is the top level in the APS-C machine, the open F value at the tele end is F6.3 Even a certain place can be forgiven by Yoko-chan … This dazzling teamwork had to feel the “unexpected compatibility” of the Z mount and DX format.

In the past few years, in front of the new Z 50 & Z DX lenses, such as I was supposed to have a kind of thought, "If you have a full size lineup, APS-C format is unnecessary" However, it was a flat-headed Taitaru.

  • DX format standard zoom lens “ NIKKOR Z DX 16-50mm f / 3.5-6.3 VR ''

  • DX format telephoto zoom lens “ NIKKOR Z DX 50-250mm f / 4.5-6.3 VR ''

I don't know if Nikon had clearly planned the Z DX model from the beginning. But I think the release of Z 50 is a great answer. In the first place, I think that it is "Z 50 drowning" and "Z 50 push" because there is a ground that I have been habitually using "D5000" and "D5500", but the old D5000 series and the new Z As soon as I felt that the 50 was “just enough and necessary to use”, it was once again being a great attraction. I'm really excited about taking photos, Jitsu is such a stance camera.

  • High-quality and profound finish that requires a rich dynamic range and reliable depiction of the lens. The ability of NIKKOR Z DX 16-50mm f / 3.5-6.3 VR can be glimpsed where background blur reproduction is stable from corner to corner [using NIKKOR Z DX 16-50mm f / 3.5-6.3 VR, ISO100, 1/800 second, F4.2, +0.7 exposure compensation, 34mm equivalent]

  • 16-50mm wide end open shooting. The focus is on the bench on the left side. Needless to say the sharpness of the focus surface, I don't feel deficient in the depiction of the blurred background [using NIKKOR Z DX 16-50mm f / 3.5-6.3 VR, ISO100, 1/250 seconds, F3 .5, -0.7 exposure compensation, 24mm equivalent]

  • I'm sorry for those who are not good at it, but the telephoto end of the NIKKOR Z DX 50-250mm f / 4.5-6.3 VR [equivalent to 375mm] is able to resolve it so much. The sensitivity led by ISO Auto is ISO 2500. High sensitivity image quality is still full [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, ISO2500, 1/400 sec, F6.3, +0.7 exposure compensation, 375mm equivalent]

  • It is a camera that spins delicate images with fine lines and sharpness. As you can see, the texture is high. Even though it is small and light, I am glad that it has succeeded in creating Z images. By the way, the actual appearance is cooler than the product photo [using NIKKOR Z DX 16-50mm f / 3.5-6.3 VR, ISO720, 1/80 seconds, F4.5, -1 exposure compensation, 75mm equivalent]

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Norihiro Ochiai

Norihiro Ochiai

“You've received a manuscript request on the theme of XX ~” “I ’m going to go to XX company for an interview…” “After all, I have to own it and use it!” As you can see, there are many frosts on the line for the purchase of new cameras and lenses. Suddenly, I noticed myself becoming easy to be deceived by myself, but it is also a type B of Taurus that continues to pretend to be deceived today as well. 2019 Camera Grand Prix external selection committee.



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