Digital Camera

Nikon “ Z 50 '' rich review prequel 悶 agony with a good balance of smallness and fulfillment performance

The Nikon APS-C mirrorless "Z 50" that Ochiai photographers rated as "the camera that had the most personal impact in 2019". It seems to be his favorite after a long absence of "buying the same camera". Ochiai photographer, who is using two Z 50s from his shoulders every day, has a deep review of Z50's deki.

  • Two "Z 50" purchased by Ochiai photographers on their own belly. The actual selling price is around 118,000 yen including tax for the body alone model, around 126,000 yen including tax for the 16-50 VR lens kit with a standard zoom lens, and 158,000 yen including tax for the double zoom kit with a telephoto zoom lens Around the yen [both points 10%]. A cashback campaign is being carried out until March 31, and 20,000 yen will be cashed back for the double zoom kit

Z 50 without "downgrade" compared to full size machine

Click here for the first impression article "Zockon for a finish without downgrade"Ochiai has bought two Nikon" Z 50 "s with ascendancy.

No, it's really blushing. Because, "I think it's almost time for manufacturers that have a lineup of interchangeable lens full-size models, whether SLR or mirrorless, to have APS-C models in the same category? I'm a recent me who fluttered violent things like ".

However, the Z 50 was firmly convinced that "This is an APS-C under the full size." Compared to the full-size model that stands on the top, it is clearly small and light, and there is not much difference in the image [finished image quality] from the top, and the shooting feel combines softness and sharpness However, Nanige had such requirements as "It feels good" and "It has enough AF ability to shoot moving objects". Assuming the existence of "Z6" and "Z7", the standing position is independent and well established at a satisfactory level.

Viewfinder is not small even if body is small

Also, in comparison with the APS-C SLR [entry model] that has the same “small and light weight” as the Z 50, there is a new discovery that this gives a better impression about the viewfinder several times. . In this era, it is often the case that SLRs have the advantage of an optical viewfinder as one of the advantages of SLRs, but in Nikon's case it is too small to look over the D3000 series tunnel It's counterproductive to say that this is an optical viewfinder! If you recommend the Z50 EVF, both you and I will think that Minna is happy.

The Z 50's viewfinder is designed to make it look big even if the body itself is small. The field of view is also 100%. The display quality itself is inferior to the Z6 and Z7, but more than enough for a camera of this class. Intermediate cameras, or interchangeable lens cameras that stand in lower positions.If you are trying to achieve both small size and light weight and high finder quality at the same time, mirrorless cameras are now better than single-lens reflex cameras. Is overwhelmingly advantageous, and that makes a clear difference only with models that use APS-C size sensors …. I realized that when I actually used it [ If you compare full sizes, things may be different again].

In short, "Small and light, with a better picture than you can imagine. I feel that the price is a little cheaper than the actual selling price of the D5600, but considering that the content [what it can do] is about the same or more than the real D7500, it is very difficult to grasp it as a reasonable price Will not accompany. In other words, the various balances of existence are good for Hijo. And that is also the "real feeling" of the "kit lens that is too big" because both sides are solidified.

  • The NIKKOR Z DX 50-250mm f / 4.5-6.3 VR is a lens that not only captures good images, but also comes close enough to surprise you. The shortest shooting distance is 50cm at 50mm and 1m at 250mm telephoto end. Not only can you take close-up shots with plenty of room, but it is also a really excellent guy who does not show a breakdown in blurring reproduction at that time [NIKKOR Z DX 50-250 mm f / 4.5-6.3 VR use, 375 mm equivalent, ISO 1600, 1/400 second, F6.3, -1 exposure compensation]

  • AF tracking performance for moving objects is sufficient. Whether it's a bit dark or the subject turns from approaching to distant, it's pretty good. However, if you change the angle of view during continuous shooting with AF-C, the bite of focus is still a bit awkward [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 130mm equivalent, ISO100, 1/640 second, F7.1]

  • Regarding AF tracking for moving objects, at present, as in the case of the main lenses Z6 and Z7, the response is that it is better to use one fixed AF point and dynamic AF instead of auto area AF. Also, at least as long as you are shooting with the kit lens, the center AF point seems to be stronger under adverse conditions than the surrounding area [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 375mm equivalent, ISO800, 1/2000 second, F6.3, +1.7 exposure compensation]

  • There's nothing to say that the combination of a tiny camera and a light telephoto zoom makes it possible to take such rich pictures. The imaging sensitivity guided by ISO Auto is ISO5600. The Z 50 is also good at high sensitivity [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 156mm equivalent, ISO5600, 1/160 second, F5.0, -0.7 exposure compensation]

Above all, Zokkon is the best kit lens

The lens that the Z 50 forms the kit is "NIKKOR Z DX 16-50mm f / 3.5-6.3 VR". If it is a double zoom kit, “ NIKKOR Z DX 50-250mm f / 4.5-6.3 VR '' will be added to it, but these plastic mounts are light and quick, and the kit lenses that are rather cheap look Everyone should be surprised to be able to shoot better than expected. In addition, it has a collapsible structure, so it comes with a bonus that it will be smaller than expected when carrying it.

I carry two Z 50 with each lens in a camera bag and carry it around, but in a small bag of size & thickness that does not get in the way even if I put it in front of the body with a cross, The lower part is equivalent to the equivalent of 375 m in the super telephoto area from the equivalent of 24 mm in the 35 mm format, and the upper part is equivalent to 375 m in the super telephoto area. . Ten years ago, or about five years ago, when I tried to cover the same focal length range in my equipment environment, the camera bag was a 10 kg course with a shoulder on my shoulder …

At that time, however, the lenses of the two full-size SLRs revolved around the so-called "Daisan Yuan". It was a heavier and bigger element. However, if it is said which one of the high-quality photos was taken at that time or now, it means that in a whisper "maybe a better photo is taken now with the Z 50 …" .

Since photographs are taken by human beings, not equipment, the “whether or not“ good photos ”were taken compared to the time of Digiichi + Daisangen” does not change unless the photographers themselves have updated something. It can also be said. No, it may have shifted in the negative direction with aging. However, it's true that it's much more fun now to be able to take photos with light footwork and mood than when I was taking photos while running short of the weight of the equipment … Oops, shouldn't we pursue this area deeply?免 Gravehole excavation!

  • One of the features of the NIKKOR Z DX 50-250mm F4.5-6.3 VR is that the operation of the zoom ring is surprisingly high quality. This makes it very easy to adjust the angle of view while looking through the viewfinder. This lens, the feel and definition during shooting are definitely worth more than the price [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 247mm equivalent, ISO1600, 1/250 second, F5. 6]

  • Realistic texture reproduction that can even feel the touch of rusted metal or hardened rubber = satisfaction with image creation is extremely high. And an EVF with a 100% field of view can easily handle such a precise composition. Regarding the viewfinder, it is obvious that it has an advantage that cannot be managed by a single-lens reflex camera below the mid-range model [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 240mm equivalent, ISO800, 1 / 250 sec, F5.6, -0.3 exposure compensation]

  • NIKKOR Z DX 16-50mm F3.5-6.3 VR is also amazing. The exterior looks and feels like a hand, but it is inexpensive [then it looks cool], but it ties in a stable image from the open F-number. In this example, I stopped down to f / 7.1, but in reality I don't really feel the need to stop down. [NIKKOR Z DX 16-50mm f / 3.5-6.3 VR used, 24mm equivalent, ISO100, 1/200 Sec, F7.1]

  • Photographed at ISO11400. It is quite easy to guide the finish of this impression with a pattern mainly composed of halftones, in which high-sensitivity noise is conspicuous. But compared to the same sensitivity of Z6 and D780 … The strength of the full size is that it is still alive [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR used, 375mm equivalent, ISO11400, 1/1000 second, F6.3, -1 exposure compensation]

  • The advantage of an EVF is that it gives you an almost accurate picture of what it will look like before shooting. If you have a clear idea of ​​what kind of photo you want, you can say that EVF is faster than optical viewfinder. I used to work with video cameras for a long time, but I accepted EVF even before digital cameras. It's OK at the current quality. Not dazzling even when the sun enters [NIKKOR Z DX 50-250mm f / 4.5-6.3 VR, 375mm equivalent, ISO100, 1/3200 sec, F7.1, -1.3 exposure compensation]

By the way, I took advantage of the "uproar of buying two Z50s", and the Speedlight SB-500 has also been renewed, but including it, two Z50 bodies with lenses, one charger, one spare battery & The total weight of the bag with three filters in it is only 2.5kg !! As if the AF of the camera fulfilled its function faster than the eyes were dying, it would cover the declining stamina I think that it has been a very happy photography life to be able to reduce the weight of the equipment. I never imagined that I was taking pictures until I was in high school when I started taking pictures in earnest, so I never imagined that … 50. It's too small to be small!

  • An Ochiai photographer who appreciates the incomparable ability of the small Z50. However, it seems that the body that was used to the most exhaustive camera had a drawback that it could be hampered …

Author Profile
Norihiro Ochiai

Norihiro Ochiai

"I received a request for a manuscript under the theme of XX," "I'm going to interview XX this time …", "If you don't own and use it, you can't do it!" Such as, Ikuseki Frost continues to line up myself to buy a new camera and lens. Suddenly, I noticed that I was being fooled by myself, but that was just Tadashi's B-type Taurus, who continues to be fooled today. 2020 Camera Grand Prix external selection committee member.


Source link

Do you like this article??

Show More

Leave a Reply

Your email address will not be published. Required fields are marked *

Back to top button